I don’t know. I don’t know. There’s always a story every year, is all I can say. There’s always a story why someone else should get it or what it is. I don’t understand awards handicapping, but I do not vote in the actors’ categories. I’ll tell you one thing. No one treats them like they haven’t won. They are revered, and I see the way other actors respond to their work. It’s the way you want. It’s like part reverence, part jealousy. They’re competitive. They are at the top of that pyramid in whatever way you want. And being nominated means that, and having the work means that.
But I have one personal theory, which is that the acting style is different on the show. That it’s very naturalistic and that is not a showy — you know, I don’t write Emmy scenes for them, either. Maybe that’s it. Elisabeth Moss always jokes that whenever she works somewhere else people are always like, “Cry your eyes out.” And I’m almost like, “Don’t cry. Do everything you can not to cry,” because I feel like that produces more emotion in the audience. But maybe it’s too much of an ensemble? I don’t know.
That’s good art—successful art—in a nutshell. Not crying when everyone else thinks you should cry.